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VAGUE OBJECT MOTIFS (VOM), AQUEOUS
"VAGUE OBJECT MOTIFS (VOM), AQUEOUS"
pictured with "PARALLEL WORLDS OF SUPERFICIAL APPEARANCES, PART 2"
hand-polished crystal clear resin with red, blue, green, and yellow dye;
reversible oak veneer pedestals, plexiglass,
led light bulb, and electrical wiring
+/- 40 L x 15 H x 55 W cm, each
2013
"VAGUE OBJECT MOTIFS (VOM), AQUEOUS"
(1 of 3 objects, illuminated)
ILLUMINATED
"VAGUE OBJECT MOTIFS (VOM), AQUEOUS"
(2 of 3 objects, illuminated)
ILLUMINATED
"VAGUE OBJECT MOTIFS (VOM), AQUEOUS"
(3 of 3 objects, illuminated)
ILLUMINATED
"VAGUE OBJECT MOTIFS (VOM), AQUEOUS"
ILLUMINATED
"VAGUE OBJECT MOTIFS (VOM), AQUEOUS"
FACADES AND FETISHES SERIES
HAND-POLISHED, CAST POLYESTER RESIN
2013
“But in his book 'Difference and Repetition' (1968) Gilles Deleuze speaks of literal repetition as being radically artificial and, in
this sense, in conflict with everything natural, living, changing, and developing, including natural law and moral law."1 Hence, practicing literal repetition can be seen as initiating a rupture in the continuity of life by creating a non-historical excess of time through art. And this is the point at which art can indeed become truly contemporary.”2
1. Groys, Boris. Comrades of Times. e-flux journal #11, Dec. 2009. PDF.
2. Ibid., p. 7.